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Saturday, October 17, 2026
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Netflix's Unexpected Latest Undead Movie Injects New Life into a Stale Style

Typically, I'm over undead films. Although classics like 28 Days Later and the early seasons of The Walking Dead proved gripping, this category feels mostly exhausted at this point. Yet the much-awaited 28 Years Later remains gathering dust in my watchlist for some time. But, Netflix's new Indonesian zombie flick, The Elixir, succeeded in defy my expectations turning out quite entertaining.

Superb Pacing and Personal Growth

Among the film's strongest assets lies in the superb pacing. It kicks off with a striking initial scene in which a calm family gathering gets suddenly disrupted by a vehicle crashes right into the seating section. Out of the van, a very undead-looking stranger stumbles out proceeding assaulting the attendees. This dramatic moment is immediately succeeded by a look back, giving viewers to observe this household prior to the disaster occurred.

In contrast to many zombie films, The Elixir actually gives viewers enough opportunity to get to know the primary personalities prior to the carnage begins. There's Nes, a married mother with a ex close friend, Karina, has become married to Nes' father—an obviously awkward dynamic. This has understandably caused a rift between Nes and Karina. Then there's her sibling, Bang, who is good-natured yet a bit inept socially, and who loves gaming alongside his nephew, Raihan. Her spouse, Rudi, appears to have recently been unfaithful to Nes. The family patriarch consists of her dad, the owner of a popular herbal remedy company called Wani Waras, and he appears focused on just two aspects: his business and his wife to his daughter's ex-best friend. Needless to say, this gathering proves extremely strained.

Engaged in the Drama

I found myself so engrossed with this family's dynamics along with their interpersonal drama that I nearly forgot this was a scary movie—something that could seem like a negative, but ultimately paid off. The Elixir dedicates a considerable amount of its runtime depicting us the identity of every family member represents, and how they contribute to the general turmoil. This focus on conflicting personalities enabled me to relate with the characters enough to care about their outcome—an uncommon accomplishment for this style which frequently introduces characters just to kill them off soon after. The Elixir doesn't treat its characters as two-dimensional, disposable victims for a horde of the undead to devour, thus it's a genuine shock once events finally go wrong.

Evocative of Parasite

The initial sequences from the gathering and the multiple household exchanges in fact bring to mind the movie Parasite, a tale that masquerades as a Korean drama featuring slightly dark comedy before making an abrupt turn toward "holy shit" territory. These early scenes aren't centered too heavily on humor as Parasite, but The Elixir still provides sufficient time to immerse in the setting prior to it gets upended.

Unique Infection Origin

This movie also offers a fairly intriguing explanation regarding the origin of the contagious transformation. Instead of an accidental laboratory incident or some sort of bioweapon, the cause for this contagious disease stems from a recent batch of Wani Waras herbal remedies created by Nes' father. Although we do learn a bit about how it started, I wish the film had spent a little more focus on how Wani Waras went from a trusted supplier of natural treatments to creating a deadly potion that appears to contain an extremely infectious pathogen. Despite the lack of background, the effect this condition produces on humans is utterly disgusting, which I love it. The Elixir's undead prove quick, bizarre in appearance, and, perhaps worst of all, constantly grinning. This represents a bold choice, but it succeeds. The Elixir's practical effects and CGI are also very realistic, and are practically guaranteed to provoke a fear of holes.

Capable Personalities

Even better compared to the disgusting scenes is the cast themselves. Of course, there are a few examples of dubious decision-making (like any typical zombie movie), however generally, Nes and her relatives are resourceful and quick-thinking. They also don't hesitate to strike an undead in the face, stab it with a pitchfork, or beat it over the head with whatever heavy object they find instead of freezing like a deer in headlights while danger nears.

Believable Family Strike

The Elixir doesn't drop its themes of familial discord once individuals start turning into zombies, this proved a welcome realistic subversion from the "We don't get along|"We have issues, but since you nearly died I immediately forgive you for all your mistakes!" cliché often seen in end-of-world movies. It's clear, Nes cares for her relatives and cares about her spouse, Rudi, yet it's equally clear she remains clinging to bitterness over his betrayal of their marriage vows. Once the household gets separated, they agree via telephone to regroup at a close location. But when Bang reveals he is unaware the way to the location, Nes expresses a massive level of irritation toward Bang which has obviously been brewing over time. Nes is not perfect, and her family—flawed as it is—feel realistic and understandable since the movie avoids attempting to push the notion that nearly dying instantly cures familial strife. This makes those instances when these characters express gratitude toward one another feel far more sincere.

Predictable Conclusion

In spite of The Elixir's strong efforts to break new ground, the ending is admittedly a bit stereotypical. The Elixir isn't really presenting any deep insight about family or society, either. Instead, it's primarily serving up frights. But they're effective scares, and because the film gives each character enough room to grow and avoids penalizing them for their imperfections, the result proves a captivating and entertaining

Written by

Amanda Pierce

Maya Chen is a tech journalist with over a decade of experience covering emerging technologies and digital transformation trends.

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